Monday, February 11, 2008

Learning Curve


My aunt sent me a link to the blog of an old friend of hers. Jim Bernardin was involved in Chevrolet ads and apparently has quite a collection of his work. I think it is so exciting when people share their knowledge this way. Check out his blog About Old Chevy Ads.

Sunday, February 10, 2008

Dorothy's House

Coming to Louisville has given me the chance to look back at Oz from the Kansas side of the rainbow. (Although Louisville is a gracious, almost Old World, city--quite different from Liberal, Kansas where Dorothy's House is. Not to knock Kansas, which has it's own charms.)
I have wondered if we are deluding ourselves, if Scrollworks is an impossible dream. My conclusion: It doesn't matter how difficult the dream may be to accomplish. The concept is too important, the potential benefits too great, so it must be attempted. This article in the Rhode Island Monthly reinforces that conclusion:
Joshua is fifteen years old. He decided to play the viola when he was seven, even though he had never before heard of the viola. But now, as a tenth grader, he has learned to love it and often says things like “Playing music did something to me” and “Music made me smarter.”
But I can see that reasonable, rational, practical people would think Nick and I are nuts. We will have to make the vision real before most people will believe in it half as fervently as we do.

Wet Clarinet

One more way music is an essential element of life. Not just for humans, but for other entities in the universe.
David Rothenberg writes about his attempts to communicate with beluga whales in Orion Magazine:
Over the years, I’ve come to think that animal sounds share more characteristics with music than with human language. Each phrase sung by birds, wolves, cicadas, or dolphins must be performed correctly to convey its message, but we humans can never translate exactly what is said. This has led me to believe that music might be a useful way to communicate with animals, and thus extend human art into the natural world, hoping for a connection, a response. I started testing this theory by playing with birds, and now I’m ready to try it with the most intricate musicians of the wild world: whales. Because they live underwater, there are additional challenges—such as how to do it without getting my clarinet all wet.

Wednesday, February 6, 2008

The Quick of Our Being

In a live tradition we fall in love with the spirits of the dead. We stay up all night with them. We keep their gifts alive by taking them into the quick of our being and feeding them to our hearts. --Lewis Hyde, The Gift

The greatest art

The greatest art offers us images by which to imagine our lives. And once the imagination has been awakened, it is procreative: through it we can give more than we were given, say more than we had to say.
--Lewis Hyde, The Gift

Tuesday, February 5, 2008

Ecstatic Dances

"But no one dances ecstatic dances in the churches of the rich. . . The rich would seem to sense that the more you feel the spirit move in the physical body on Sunday, the harder it will be to trade in cash on Monday." --Lewis Hyde, The Gift

Monday, February 4, 2008

Sharing the meal

"And what is it but my soul that hisses like an angry snake, Fool! will you stuff your greed and starve me?"

--Walt Whitman as quoted in The Gift

Sunday, February 3, 2008

The flow of life

More from The Gift that applies to Scrollworks in particular.

Quoting Harold Pinter:
The thing germinated and bred itself. It proceeded according to its own logic. What did I do? I followed the indications, I kept a sharp eye on the clues. . .


Quoting May Sarton:
There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most . . . The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.

It comes back forever

From The Gift by Lewis Hyde:
Perfect gift is like the blood pumped through its vessels by the heart. Our blood is a thing that distributes the breath throughout the body, a liquid that flows when it carries the inner air and hardens when it meets the outer air, a substance that moves freely to every part but is nonetheless contained, a healer that goes without restraint to any needy place in the body. It moves under pressure--the "obligation to return" that fascinated Marcel Mauss--and inside its vessels the blood, the gift, is neither bought nor sold and it comes back forever.

Louisville Tornado

Talked to my daughter, Molly, yesterday. Last Tuesday she was in the music school at the University of Louisville rehearsing with her accompanist for her recital when the building was hit by a tornado. Tore the roof off the lobby. They didn't realize what happened at first, but she said wind and rain were blowing through the halls. Damaged the adjacent business school, blew out all the windows on one side of a dorm and exploded two cars. She had friends who were driving to a meeting on campus. They were shocked to watch the tornado skipping across campus. It touched down in a suburb and damaged homes, including those of some of her friends.

I am very grateful that, once again, her total immersion in her music did not cause her physical harm.

From the Louisville Courier-Journal:
On the University of Louisville Belknap campus, about 70 students moved to other residence halls, their homes or hotels while windows in the Bettie Johnson Hall dormitory are replaced. About 100 windows were damaged when part of the roof of a neighboring building flew off and into the dormitory, said Cindy Hess, a university spokeswoman.

Dvorak in America

The Community MusicWorks blog has posted a downloadable essay on Dvorak in America.

Saturday, February 2, 2008

How to break free

From Daily Zen:

Those who awaken never rest in one place.
Like swans, they rise and leave the lake.
On the air they rise and fly an invisible course.
Their food is knowledge.
They live on emptiness.
They have seen how to break free.
Who can follow them?

- Buddha in the Dhammapada